![]() The promotion of the band’s savagely brilliant 1992 album, 8 Way Santa, was hit hard. A lot of these circumstances were extenuating and had nothing to do with us.” We hung in there when many would have quit long ago. We’re an unstoppable force of nature.” It isn’t easy, but you realise why you’re in this music and why you’re doing it, and that’s what keeps you going. “It was demoralising,” said Tad Doyle, “But we were always like, “Fuck that, we’re gonna move on. ![]() TAD’s string of bad luck is almost as notorious as the band’s backwood image. What could possibly go wrong that already hadn’t gone wrong before? The Steve Albini produced mini-album Salt Lick in 1990 and the band’s final Sub Pop album, “8 Way Santa”, in 1991.Īfter Tad Doyle’s hilarious cameo in the Cameron Crowe rom-com Singles in 1992 and the feeding frenzy among record company A&R staff to sign anything that moved in the Pacific Northwest, TAD decided to give major label life a shot too, signing to Warner Music Group’s Giant Records. 1993’s Inhaler was the band’s first for a major label, having released two stellar albums and a mini-album on Sub Pop Records: their debut, God’s Balls, in 1989. They were forefathers of a scene that did the unthinkable, and they wrote the blueprint for the sounds that would conquer the world. They were sledgehammer blunt, with a gilt edge sophistication and sardonic wit. TAD was a primal, heavy, cathartic, earth-shatteringly loud, life-affirming juggernaut. It was good initially, but we grew tired of it.” And then there’s the people that were showing up that were just entertained by it, and then there’s the voyeurs that would show up. We were all well-educated in the band, so it was funny to have the kind of people showing up to shows that identified with our persona, because a lot of them were that. “It was initially a fun thing, and we loved it,” continues Doyle, “But it became rather bothersome after a while because I think a lot of people coming to see us were coming to see a freak show of whatever that was, as opposed to really digging into the music. But they liked exaggerating it and making it more fantastic than life.” I cut cordwood one summer in the woods in Idaho, so we both had wilderness backgrounds. I was a butcher Kurt Danielson grew up in a logging town. “The guys at Sub Pop, Jon Poneman and Bruce Pavitt were experts at augmenting information and backgrounds, making them bigger than life,” said Tad frontman Tad Doyle, “All of the things the TAD mystique was built around were true. Sub Pop Records carefully created an image of the band as chainsaw-wielding behemoths lumbering from a dank swamp to corrupt your soul, which initially garnered them the type of attention reserved for a carnival sideshow but ultimately only cloaked the band’s actual depth and brilliance in ridiculous folklore. Make no mistake, despite these bumps in the road, TAD was the epitome of all that was essential about the Pacific Northwest music scene of the ’80s and ’90s. Threats of litigation from multi-national soft drink companies, rejected by MTV for being too “ugly,” dropped by their label for lampooning Bill Clinton, and having to recall all copies of their newly released album after the cover art, which featured a photo of an unknown couple in less than salubrious surroundings, was seen by the couple in question, who didn’t see the funny side. “If it wasn’t for bad luck, You know I wouldn’t have no luck at all,” sang Albert King in his 1967 song “Born Under A Bad Sign.” A litany of bad luck besieged TAD throughout their recording career. Archived from the original on May 26, 2017.October 19th, 1993, TAD released their fourth album, Inhaler, on Giant/Warner Brothers Records. Archived from the original on November 18, 2018. "Tad recalls the pre-Nirvana days it was the toast of Seattle's grunge scene". "Tad, '8-Way Santa' (1991) – Banned in the U.S.A.: 20 Wildest Censored Album Covers". "8-Way Santa Review | Music Reviews and News". "Jinx" was featured in the Cameron Crowe film Singles (1992), although it is not included in the official soundtrack album. The song itself was, in the words of music journalist Roy Wilkinson, "the true story of how Tad and his mate tanked up on Jack Daniels and cola before taking a pick-up onto an ice-covered lake - tempting fate. ![]() Pepsi filed a lawsuit against the band for using their logo on the single "Jack Pepsi". "Jinx" and "Jack Pepsi" were the singles released from this album. Rolling Stone ranked this album 31st on their list of the 50 Greatest Grunge Albums. ![]() The cover was an altered photo, the original of which was found in a photo album purchased from a thrift store. Tad ran into legal trouble after the man and woman featured on the album cover saw the record and sued the band. It was released on February 15, 1991, through Sub Pop. 1990 at Smart Studios, Madison, WisconsinĨ-Way Santa is the second album by the Seattle grunge band Tad.
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